Tree-of-Life Cross

I recently created a small carving of a Celtic Cross at the request of a friend. I had the end section left over from the board I used to create the Dragestil mantel carving, a particularly lovely piece of Spanish cedar, and it was the perfect size for this project.

This photograph shows the cross shape cut out from the wood, with the design penciled in.  This cross design features a design motif seen in the Book of Kells called Tree-of-Life, which involves a trefoil vine that emerges from trumpets that spiral around the center. The pencils in the picture provide a good sense of the small scale of this carving.
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Below is the carving in its completed stage, prior to the addition of the oil finish. Around the cross are a few of the carving tools I used to create this carving.

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This final photograph shows how the wood has darkened after the application of the oil and wax finish. It was photographed against the backdrop of a page from the Book of Kells, an evangelist cross-carpet page from folio 27 verso of the celebrated illuminated manuscript.

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The finished height of this carving is only 8 inches, so is smaller than the typical carvings I create. I am planning on creating another carving along this line at a larger scale, as I think this design will work in that larger format as well. I will post an update once I have the chance to work on it.

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Viking Dragon Guardian

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The Viking Dragon Guardian wood carving is now available for sale in the Ninth Wave Designs Etsy store. Hand carved in beautiful mahogany wood, I completed this carving last winter and am now making it available for sale. This carving is inspired by the art and style of the Viking Age – I created this original design from studying early medieval Irish metalwork artifacts that were themselves influenced by the art brought to Ireland by the Viking invasions.

This carving is completely hand carved from Honduran mahogany wood and measures 15 1/2″ high by 6″ wide and is 3/4″ thick. This wood has a beautifully rich dark red-brown color. The carving is tool finished, without any sanding, and has an oil and wax finish. There is a brass hanging hook mounted on the back of the carving.

Here are some additional photographs of the carving, or see the listing on Etsy by following the link HERE.

 

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Dragestil

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The Dragestil wood carving that I featured in my previous blog post was started in November of 2015 and I worked on it over time between other carving projects, completing it at the end of July this year. I like to keep a visual record of the process while working on a carving, posting pictures to my NWD Facebook and Instagram accounts, but the pace of this project resulted in pictures being spread out over the course of many months. I gathered the best of the images together in the gallery/slideshow below to provide a cohesive representation of the process of creating this carving.

As with most of my carvings, the idea for this design came from an historical source. I am fascinated by the Norwegian Stave church woodcarvings, as well as the idea that the elaborately carved portals in these churches provide a liminal space – dividing the outside world of daily life from the interior world of spiritual life. The symbols and themes of these church carvings are interestingly and undeniably pagan, and include warriors fighting dragons, stylized serpents and beasts, all wrapped in and around the swirling tendrils of plant life.

I began my design by looking at a plant motif from one of the Borgund Stave Church portals, and adapting it from plant to beast – transforming the spirals with the addition of stylized dragon heads. I designed this carving to accent a fireplace mantel – to guard the hearth and add a sense of warmth and protection to the home. You can follow the carving process from beginning design to final finished carving in the photographs gathered below.

 

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Living With Craft

The Dragestil carving hanging on the mantel.

I am very happy to be participating for the first time in the Annual Craftsmen’s Fair held by the League of New Hampshire Craftsmen in Sunapee, NH. This is the first fair since I became a juried League member last fall, and although I won’t have a booth at the fair, I will have my Dragestil carving (shown above with the Marriage Shield carving) in the Living With Craft exhibition. The League of NH Craftmen’s blog post describes the Living With Craft exhibition in this way:

More than 200 handcrafted works are creatively arranged in a series of vibrant and cohesive room vignettes. As you view the furniture, accessories, wall-hangings, sterling silver tableware, and lighting fixtures, you’ll be able to imagine them in your home.

If you are able to attend the Craftsmen’s Fair between August 6th – 14th, please be sure to visit the Living With Craft exhibition as let me know what you think in the comments below. There are so many varied and talented crafts-people represented at the Fair, it is an honor to have one of my carvings exhibited among them.

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Triple Raven Tele-Style Guitar Update

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I am very pleased to share this picture of the front and back of the fully assembled Triple Raven Tele-style guitar. It is so exciting for me to see the finished product, to be able to see my carving transformed into this wonderful completed electric guitar.

My part in this project involved carving and finishing the body, which I turned over to my brother who expertly completed the building of the guitar. The matching neck is made from Honduran mahogany and has an ebony fret board with mother-of-pearl inlays. The control knobs also have mother-of-pearl insets, and the graphite color of the saddle and pickup compliments the ebony on the neck and adds a nice contrast with the chrome plates. The report is in, and it sounds as good as it looks!

We have plans going forward to build more guitars from the intricately hand carved bodies created from my original designs. Use the contact form if you would like to be notified when the next guitar becomes available. I can’t wait to get started!

You can read the original blog posts about this project and see photos of the carving process by following these links:

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Telling You a New and Different Story

I recently came across this video interview of one of my teachers from college days, and now a far away (and not forgotten) friend: Emily Zabransky.

This is a delightful interview, and a wonderful glimpse into some of the human beauty that Emily brings to her teaching experiences. I particularly like what she has to say about the difference between art and craft, in relation to working in clay, starting at 10:30 in the video:

“Ceramics can be a craft, but it can also be a work of art, and I guess a work of art is something that you see it, and you get a certain sense of it, but then when you look back again you get more, and you find different things, and it grows on you, and it is always telling you a new and different story. Craft I think it tends to be more functional, it can be beautiful but, you get it all at once.”

I imagine that most creative folks have their own individual idea of how to define the elusive point where craft transforms into art. I don’t think that it is a distinct definition between these two states of creativity, but more a transition that occurs along a continuum. I strive to make that transition in the wood carvings I create. It is important to me to communicate some of the thoughts and feelings and emotions that are my personal experiences of creating the work itself, but it is even more important if I can succeed in connecting my experiences with those who see my work, in a way that leaves them with something that is uniquely their own. Then it does become a new and different story, and when it happens, it is nothing less than magical.

Old Woman of the Night

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This carving started because I wanted to express something about owls, snowy owls specifically. I started with a small image of an owl I had created many years ago in a painting – the owl itself measured only 1/2″ in diameter (below, left) – it was a small detail that I thought would work well at a larger scale. This small owl detail was itself inspired by one of the bronze owl mounts on the Brå cauldron (below, right), which is part of the collection at the Moesgård Museum in Denmark.

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What I found once I began the carving  was that I was thinking a lot about a specific owl I knew when I was a child, a snowy owl that I had forgotten about, but that the process of creating this carving had dredged up from my memory. I spent part of my summers when I was 12, 13 and 14, in a program at the Squam Lakes Natural Science Center that put me in direct contact with local wildlife that for various reasons were unable to be released back into the wild. One summer I cared for the birds of prey, which included a snowy owl that had been struck by a car. I brought him food, cleaned his large cage, carried him along the outdoor trails with his impressive claws perched on my leather-gloved hand, and exercised him in the summer fields. What I remember most is the almost silent whoosh of of this magnificent bird’s wing beats, and the large eyes that were always watching me. This experience left me with a deep respect for owls, and a love of snowy owls in particular.

Below is a gallery of images from the @ninthwavedesigns Instagram account that show the stages of creating this carving:

Walnut Intertwined Hearts

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I now have one of my carvings available for sale online through the League of New Hampshire Craftsmen web store, shown above. The Intertwined Hearts carving can be purchased online through the League’s website by clicking HERE.

This carving is made from a warm brown piece of walnut wood, and is hand carved from my original design. I first carved a smaller version of this design for my spouse as a Valentine’s Day gift, shown in the photograph below alongside the unfinished full-size version. In additions to Valentine’s Day, this carving would also make a lovely anniversary or wedding gift, since it represents two hearts intertwined in one continuous unbroken knot.

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The Intertwined Hearts carving available for sale measures 7.25″ high by 13.25″ wide and is .75″ deep. The surface of the carving is “from the tool”, meaning that it is not sanded, but is the result of the small cuts from the carving gouges and knives. It may not be apparent in the photographs, but the surface is smooth but faceted, catching light and shadow with its subtly rippled texture. The wood is sealed with a walnut oil and beeswax finish that deepens the color and enhances the beauty of the wood, as you can see in the photograph below.

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In this last photo, the walnut Intertwined Hearts carving is shown along side a few other carvings that were all part of my jury session I attended as part of the process of becoming a full League member back in October.

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If you are interested in purchasing this wood carving you can do so through the League website link HERE, or contact me directly using the contact form HERE.

Continuing the Tradition

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I am very pleased to have three of my wood carvings on display as part of this upcoming exhibit – Continuing the Tradition – at the Gallery at League of NH Craftsmen Headquarters. This group show celebrates the work of newly juried members of the League of New Hampshire Craftsmen, and is my first show since I was accepted as a League member last October. The show opens this Friday, April 1st, at the League’s South Main Street gallery, when there will be a public reception from 5 – 7 pm. The show runs through June 17th. If you are in the area I hope you will visit the gallery during this show – there are over 30 new League members participating in this exhibit so there will be plenty of interesting creative work to see.

These are the three pieces that will be part of the exhibit:

The Irish Hare carving and the Bowl of Remembering are available for sale through the gallery, and although the Marriage Shield itself is not for sale, I am taking commissions to create custom marriage shield carvings based on this concept.

Irish Hare Wood Carving

I recently completed a carving in butternut wood of an Irish hare (Lepus timidus hibernicus). According to the Hare Preservation Trust:

“The Irish hare . . . is the only species of lagomorph [which includes hares, pikas, and rabbits] native to the island of Ireland. Carbon dating of cave fossils has shown that hares were present in Ireland as far back as 30,000 BP. This species is now thought to have continuously inhabited Ireland since before the last ice age.”

The design was based on a sketch I did a number of years ago that I never developed into a painting, and when I came across it I realized it would be the great beginning for a carving design. I reworked the design and found a perfect piece of butternut wood that was originally harvested in Canterbury, NH, and headed for a friend’s wood stove! There is an nice variety in the tone and grain of the wood, and I am pleased with how that ended up contributing to the final finish of the piece.

The photographs below document the process of creating the carving. Click on any of the images to launch the slideshow and read the descriptions of the process.