Shop Update: Irish Hare Pendants

 

Irish Hare pendants are back in stock in the Ninth Wave Designs Etsy store, with a limited number available for holiday delivery.

See the pendants here Irish Hare Sterling Silver Pendant

See the original wood carving they are based on here: Irish Hare Hand Carved Butternut Wall Hanging

I wrote about the process of creating the Irish Hare wood carving in 2016 – read about it and view the gallery here: Irish Hare Wood Carving

Abegglen Detail Knife: Carving Demonstration Videos

Bellow are two short videos demonstrating the use of the medium sized Abegglen Detail Knife while carving in butternut wood. I used this versatile carving tool when roughing out the carving shown in the earlier post, Pearl of Great Price. This carving knife makes quick work of the butternut wood, and creates a lovely sounds as well – be sure to turn up the volume!

The double-sided Abegglen knife takes a little careful practice to get used to using it, especially if you are in the habit of pushing on the backside of the blade when using a regular carving knife. The stout handle is designed to be held like a palm handled carving tools, and almost all of the control of the blade comes from the hand holding the handle. I use only a little pressure to guide the blade with my free hand, and am always careful to keep well up the shaft of the tool. This knife needs to be razor sharp on both sides to ease through the wood in this way, and to prevent having to use too much pressure guiding the blade, which could otherwise easily lead to accidents. Each time I begin using this tool I always spend a few minute on a scrap of wood familiarizing myself with how it works, that way I can do some practice cuts without focusing on what I am carving, and can instead get the feel of the position of my hands.

 

 

This third video shows the completed carving, to give a sense of how the rough cuts laid out in the earlier videos were resolved, using a combination of the Abegglen knife, sloyd knife, and other carving gouges. Although I found this knife a little intimidating when I first tried it out, it has quickly become a favorite for working the initial shape of my carvings.

There is an additional video of the Abegglen detail knife in action on an earlier blog post HERE.
 
(I do not receive any compensation for making these recommendations.)

Pearl of Great Price

Carved from butternut wood, the design for this piece is from a small drawing I did a number of years ago of my dog, named Pearl.  The title of this blog post, which is also the title of the carving, comes from a familiar parable about a merchant seeking to buy pearls: “Who, when he had found one pearl of great price, went and sold all that he had, and bought it” (Matthew 13:46).

When I had Pearl in my life, I would think of her as my “pearl of great price,” and like the parable, I would tell her that I would sell all that I had to buy her. She was a mutt, a mixture of Terrier and Italian Greyhound and possibly a few other things thrown in – she was small and sleek and sweet, and I loved her like a child. When she was five years old I left an unhealthy relationship, and Pearl became an unfortunate focal point of the power dynamic of that ending. The result was that I left and I never saw Pearl again. It broke my heart, more than I could have imagined. Through processing that loss, Pearl became a symbol of sacrifice – I paid a great price for freedom, and I essentially sold all the emotional capital I had to gain it. So the title of this carving is really about the inverse of the original meaning of the parable, where instead, the Pearl is what is given up to gain the spiritual prize – in my case, my personal freedom and emotional well-being.

When I decided to create this carving a few months ago – which was over ten years after I last saw Pearl – I thought I had recovered from the emotional price of that loss. One thing about carving is that it gives you lots of time to think while your hands are busy, and I was surprised to find that the act of shaping her form out of wood exercised the remaining sorrow tucked away in the recesses of my memory. It was a good process, a healthy one, and in the end was very therapeutic. It also resulted in me having this carving of Pearl hanging in my home, my happy and healthy home, in a place where she can greet me as I come in the door – much as she did when she knew me and loved me as only a dog can.

Leaping Fox Carving Study: Demonstration Videos

I created three videos to demonstrate the carving and painting process involved in the making of the Leaping Fox carving study. These brief videos show the tools and process I used to created this small carving. This is a follow-up to my earlier post – you can see more photos and information about this project HERE.

The first video shows the use of the Abegglen detail knife in action. This freshly sharpened blade makes very responsive cuts as I refine the form of the body of the fox.

 

In this second video I apply the black oil paint finish to the front feet of the fox. I have left the natural color of the mahogany wood for most of the coloring, and applied the black paint with small strokes and dry brushing technique to blend with the reddish-brown of the wood.

 

This final video shows the application of the white paint to the carving. Once the black paint is dry I use a similar technique to apply the white brush strokes and dry brushing to the fox, working over the black paint in a few areas.

 

Creating a smaller scale test project like this is a helpful way to test out new techniques. It is also a great way to begin conceptualizing the form and movement for a larger scale project. I am pleased with how this scale model turned out, and it is a nice carving on its own, but its scale also represents less of a risk when trying out a new process or trying new materials. This little carving will also be a valuable point of reference when I begin working on the larger project, and the time invested in it will translate into time saved down the road.

Leaping Fox Carving Study

Earlier this summer I completed a small carving as a study for a larger project I hope to work on sometime over the winter – a red fox captured mid-leap, about to pounce on its prey.  I created this smaller version as a way to test the idea I had for the painted finish – one that would utilize the natural beauty and color of the mahogany wood combined with only a minimal amount of black and white oil paint. I documented the process on the @ninthwavedesigns Instagram feed, and have gathered the images together in the slideshow below.

One element of this project that I especially enjoyed was discovering the versatility that the Pfeil Abeggelen detail knives offer.  I was originally intimidated by the super sharp double edges on this tool, but after just a few minutes of practice I felt comfortable using the knife for both pushing and pulling cuts. After completing this project using the medium size knife I added both the smaller and larger versions of these to my carving tool collection. I am certain I will be putting these to use on a regular basis going forward.

I have included descriptions of the stages of the project with each image below:

Update: See more information about this project in the Leaping Fox Carving Study Demonstration Videos blog post.

Living With Craft 2017

I have some of my woodcarving work on display again this year at the Annual Craftmen’s Fair at the Mount Sunapee Resort, sponsored by of the League of New Hampshire Craftsmen. The Fair opens on Saturday, August 5th and runs through Sunday, August 13th. As part of the Fair, a special exhibit is being held in the lodge called Living With Craft – a showcase for some of the best work recently created by League members. The exhibit is set up in a series of room-like settings to inspire fine craft decorating ideas for your own home. I have three pieces at the exhibit:

 

One piece will be on display, the others available on request, and all will be available for purchase.

There is such a wide range of creative work on display at the Fair that is makes for a wonderful summer outing. I hope you will visit, and take time to explore the Living With Craft exhibit while you are there.

 

 

Form Plaque Project Update

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For the last six years I have been working on a series of wood carvings commissions. Each class year has panels that list all of the students graduating that year, and above the name panels hangs a carved plaque depicting significant events from the senior year of that class, or Form, as it is called at SPS. This year I completed Form plaques for the forms of 2002, 2007, 2009, and 2016 and they are shown above. The plaques illustrate a wide range of themes, from environmental stewardship to the visit of the Stanley Cup. I keep a separate blog to document the progress of these carvings, The Form Plaque Project Blog, and you can read more information about each of these carvings there. I have completed 21 form plaque carvings to date, and already have designs in place to start working on new ones for next year.

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Recommendations: Carving Tools

I often get asked for recommendations of what tools to buy from people interested in beginning wood carving. It can be a confusing process – there are many good brands and hundreds of profiles to choose from. A lot of people start by buying a big set of tools for a large sum of money, which can work, but you often end up with tools right out of the gate that have profiles that will only be useful from time to time, or perhaps not at all for the kind of carving you will be doing. When you have limited funds to spend on tools it is important to get a good mix of useful profiles to begin with to avoid the frustration of not having what you need to get started carving wood.

I am a primarily a relief carver, and I work almost exclusively in softer woods: basswood, butternut, mahogany and walnut. These woods, in most instances, don’t require the use of a mallet to move the tool blade through the wood the way species like oak, cherry and maple require. When starting out buying tools, take into consideration what types of woods you plan on carving – palm handled tools can’t be driven with a mallet, so if you want to carve harder woods you will need to buy tools with the appropriate handles.

When I started carving I had 6 to 8 Pfeil brand carving tools, all with palm handle grips, and I created the carving above – you would be surprised how versatile a #1 skew double bevel tool can be! I added more of the palm tools, a few at a time, until I had most of the profiles available, and used those exclusively for the first few years I carved. This was a good way for me to start carving relatively inexpensively, adding tools from time to time when I had some extra money. The more interested I became in carving and the more complex the carving designs became, I realized it was time to expand the tools I was working with, and it was then that I started adding Pfeil intermediate and full sized carving tools to my collection.

Based on this experience, I put together a list of 12 carving tools (shown above) that I feel are a good place to start for doing the kind of relief carving I like to do. These are the profiles I use the most, every carving, and if I only had these 12 tools I could get a lot accomplished. They are, from left to right: palm skew double bevel 1/8mm; fishtail 1/16mm; intermediate 2/5mm; intermediate 2/12mm; full size 2/30mm; intermediate 3/8mm; palm 3/12mm; fishtail 3/25mm; full size 5/5mm; intermediate 8/4mm; palm 12/1mm; palm 12/8mm.

If you are looking to expand upon these starter tools the following selection of tools will add nicely to the versatility of your collection – shown above, from left to right: palm skew double bevel 1/12mm; fishtail 1/25mm; palm 5/3mm; fishtail 5/16mm; fishtail 5/25mm; intermediate 7/4mm; fishtail 7/16mm; intermediate 8/10mm; palm 9/10mm; full size 9/13mm; palm 11/1mm; full size 11/7mm.

I recommend the palm tools and intermediate Pfeil tools because they are less expensive, but also because the smaller handles are a better fit for my small hands. If you have larger hands, or if you work with harder species of wood, these handle styles may not be the best choice for you. I use Pfeil tools almost exclusively because they are easily available in a wide range of profiles, and are excellent quality tools. There are other brands of professional carving tools that are going to work just as well: Henry Taylor, Two Cherries, Auriou, and others. Remember that any tool is only as good as your sharpening skills!

You can find Pfiel tools through Woodcraft in the US, and other fine carving tools through Lee Valley, and other similar online specialty stores.

For more information about beginning woodcarving resources I have put up a page HERE of book and sharpening recommendations.

(I do not receive any compensation for making these recommendations.)

Rune of Courage

runeofcourage1

In the weeks following the election I have been overwhelmed with fear for the future. I’ve had a difficult time finding words to describe how I feel, or discussing those feelings with friends and family. As a way to break out of this tail-chasing cycle of fear I began trying to imagine the courage I will need to move forward – trying to imagine what that would feel like. For inspiration I sought out voices that speak about courage, and I came across a quote by Susan Sontag on the Brain Pickings blog:

“Courage inspires communities: the courage of an example — for courage is as contagious as fear.”

From this thought process the idea of carving a rune of courage came to me – I thought the process of creating something that represents courage might help me move through the fear. I carved the rune shown above as an exercise – a meditation of sorts, and I can actually say that the process has helped me. I created this particular rune based on a runic alphabet that I designed for use in my artwork – you can see some previous examples in my Old Woman of the Night and Flow Back carvings. This rune is entirely invented – it is not based on any particular historic rune. It isn’t an entirely arbitrary design – I put some serious thought into it – but it does not posses any inherent mystical power, any traditional significance, other than what I as the maker or you as the viewer are able to ascribe to it. And that is the power I was hoping to find – to use this tangible object as a focal point outside of myself to manifest the courage that I already posses within.

I carved this particular Rune of Courage from a small piece of Alaskan Yellow Cedar – 3.5″ X 6″. I was inspired by an artist on Instagram who auctioned off a piece of her beautiful artwork and donated the money to charity. I offered my rune up on Instagram and Facebook in a similar way, to someone who was willing to make a minimum of $100 donation to a non-profit doing the good work that needs support (now more than ever), in areas of LGBTQ services, climate change, women’s health, and civil liberties. The response I got was that someone donated $400 – $100 to non-profits from each of the four categories. This too made me feel more courageous.

I have carved another Rune of Courage, shown below, and will offer that up in the same way. And when that one is spoken for I will carve another, and another, and I will keep making these as long as there is interest.

runeofcourage2

Here’s how it works:

I am hoping that my small exercise in finding courage will find a way to become contagious.

runeofcourage3

 

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